First of a New Series

This is the first piece of a new series I'll be doing this year.  The series is "Earth's Amazing Wonders"  OK...I know...it is not exciting so I'll just call that the working title.  There will be at least 6 pieces done in textiles which will depict (or suggest) places that I find awe inspiring. I have the first several in the list. The remaining couple or three I've not narrowed down as yet. Oh I have my favorites though, it will just depend on what rises to the surface when the time comes.

First up is Antelope Canyon in Arizona.  When you look at photos of this location, it seems like someone when nuts with their PhotoShop. The colors are amazing and the contours of curving rock are beautiful.This is a view inspired by several photos...looking through the jewel-tone rock to a beautiful clear sky.  I hope I did it justice.

It does not yet have a binding as I have been struggling with just what to do. My current plan is to do a pieced binding that will just fit in with each part of the fabrics.  This art quilt also has a lot of stitching on it. I haven't done this amount of quilting in ages.  All the contour lines are stitched. At first I thought it would be a bit boring to do but it actually took on a rather organic feel as I didn't work to make the lines exact but rather made the undulate on purpose to pick up the flowing feeling of the actual rock.

I am linking this to Nina Marie's Off The Wall Fridays. Click there to see the work of some amazing artists!

"Transitions" - Light and Dark

One of my online groups chose the theme challenge for the month of June - Light and Dark.  It had me for a while. Couldn't get inspired.

I had previously done a piece on white paper with black printing ink, white paint and Pigma pen called "Directions."  This piece was inspired by that artwork but in the opposite.  I used black fabric, white molding paste (which gave it some texture), Pigma pen and white paint (just for the white dots). The title of this piece is....

Transitions

Directions

(the piece that inspired the art above)

Weathered Red Door

Just completed another of my Up Close and Personal pieces for one of my groups.  This series is based on several favorites of my own macro photos which I wanted to "redo" in textiles. Ancient Cactus was my first piece.

This is from another photo I took in a small town in Texas during a trip there. I LOVE peeling paint and old buildings and doors and this just fit all of those. It is from an old store front but the premises were empty at the time we visited. Wish I could have found a date on the building or something but all I know is...it was very old.

The door is from a breakdown screen print I had done at least a year ago. Found it interesting how much it looked like the weathered red door without a whole lot of altering!! I cut out portions so the black could show through when appliqued. I also used a bit of acrylic paints and Shiva paint sticks to get just the right look.  The "grate" in front of the door is some silver mesh.  It was way too shiny for this old door so I painted it with a charcoal gray acrylic.  I love the way it turned out.  So....here it is....along with it's inspiration photo.

Weathered Red Door

I'll be posting this on Nina Marie's Off The Wall Friday.

More News!!

Received an e-mail this morning that my piece, "The Sapling" was accepted for Art on Main in Zumbrota, MN!!  The original art work had to be 12" X 22". Then, when accepted, it will be photographed and blown up to 24" X 44" vertical for banners to be placed on the lamp posts on Main Street in Zumbrota, MN!!

This is my first acceptance for Public Art!!

This is a very special piece for me. It became a kind of test/inspirational piece for my upcoming series "Pecans" that I'm doing in honor of my dad...who LOVED pecans and had planted his own orchard.  When he passed away, his ashes were buried under a HUGE pecan tree in what used to be their front yard.  While there for his memorial service, I took (with permission of the new owner) several twigs from that HUGE pecan tree and had thermofax screens made from them. Those are the screens I used for printing the "branches" for The Sapling.  The "trunk" is made from bark cloth from Africa (Thanks, Wil!!), a place my parents still held dear in their hearts after living there for a while.

So, Dad, this one is for you.....

Here is the piece that will be on Main Street -

THE  SAPLING

All fabrics are my own hand-dyed and surfaced designed fabrics. (except for the painted silk in the ground. That was a gift from a friend Canada. Thanks, Maggie!) The dark brown strip through the ground is hand-dyed yarn from a company run by my neice, Faith, and her business partner, TactileDactyl Fiber Art. Be sure to check them out!! Their yarn is luscious! And yes...those are real pebbles.

My First Gallery Exhibit!!

I'm so excited! My first Gallery Exhibit!  Five of my pieces from this year are included in the show. (click here - http://www.crossingsatcarnegie.com/page0002.html - to read more about it under the heading Fabrications Nine). Some of you might recognize another name listed in the promotional piece.

While I know most of you won't be able to attend the exhibit, I just wanted to share this with you. But if you COULD attend...do let me know how you like it!!

Weekly Creativity - Week 6 - Large Screen Prints

While I have a "regular" sized screen for printing, I was excited when I read somewhere about how to make large screens...especially for more organic forms.  I so wish I could remember where I saw it so I could give credit to the person from whom I learned this technique.  If you know...please post it in Comments below!

The "screen" is made from organza taped at the edges.  Lesson for next time:  It is pretty much a two people job...at least for me it would have helped to have an extra pair of hands!  The organza shifted at a breath and the duck tape has a very permanent stickiness!!  But I kept on and finally got a fairly workable screen.

The completed "screen"

I then got out my Golden Matte Medium to spread in a rather haphazard manner onto the screen.  I put it all on top of some packing paper so I could just throw that away when it was done.  Lesson for next time: Don't even TRY to use a plastic spoon!  The sturdy wooden one worked MUCH better.

The medium

With the gel medium spread onto the organza screen, it needed to dry very well. I hung it up to dry overnight.

Drying the screen

When it was very very dry, the medium is quite sturdy...at least so far.  I used the duck tape again to lace a spare piece of  fabric down onto my painting surface. It needs to be very stable I think.  The first printing was made with light blue acrylic paint applied with a squeegie thingie.  Lesson for next time: It does take a good bit of acrylic to cover this size.  I had to get out another small bottle. 

First painted layer print

I then removed the screen to see just how the printing went.

Screen removed

Mainly because I used acrylic paints, the screen had to be rinsed right away. I just filled my sink enough to cover it and soaked it for a minute, then used the sink sprayer to get all the paint off.

Screen Rinsing

I then repeated the printing process with two different colors of green.  I rather like the effect.....kind of like peeling paint.  I especially like the part over the clocks.  

Printing completed with second layer of two greens

Clock detail

And the screen is very much usable again! I'm not sure how many times it will last but it has already been worth the effort.  Now I want to try making a large screen like this but use a more regular pattern or form stamped with the gel medium.  

The Finished Piece

Just completed it....binding, sleeve and all.  Even added some real watch parts.

The Sands of Time

10" X 20"



Burned For a Purpose

This saga began almost a year and a half ago.  We were visiting NE Minneapolis art district for the annual Art-A-Whirl.  Some amazing art caught our eye.  Very ethereal....haunting almost.  Imprints of leaves mostly.  Breath-taking.  We asked the artist how she achieved this beautiful effect.  The answer....gun powder.  What????  Yep...gun powder. The prints she produced stayed with us all day.  As textile artists....and risk-takers in general....our natural inclination was...."I wonder what would happen if we did it on textiles?"  We didn't get to it that summer....but this summer we HAD to try it out.  We gathered our supplies.  Bought the gunpowder (I'm always amused by people's reaction.  These two women asking the clerk where to find gun powder. "What kind do you need?"  ummmmmm we don't know.  We are artist and are using it in our art.  "Ahhhhh"  - like that explains everything!!  Too funny!)  So anyway, after we found out that we for sure didn't want the kind that exploded....just burned, we were on our way.

We got one or two good pieces out of it....well, my friend did anyway.  We worked with the leaves...it was a windy day....enough said.

I've been so wanting to try it out myself and just waiting for a project that could benefit from this technique.  Then I had it. The 10 X 20 group - I still have 2 pieces to complete for this year.  One was due Oct. 1 so yes....I'm a bit behind.  The difficulty wasn't the gun powder bit....but finding an appropriate background.  Finally I found a piece of what felt like a twill.  Liked the subtle dyeing that had already been done to it. Only one problem....didn't think about what the fabric make-up was.  I mean I hardly have any textiles in my studio that aren't cotton or silk or linen.  So I go merrily on my way to experiment.  POOF!  The gun powder went off and the cardboard on top was burning a bit around the edges still....not uncommon.  I picked the cover up and the fabric itself was burning and melting.  Can you say synthetic fibers???? Put it out right away so no horrible damage was done.  But....as they say....you learn something new every day. 

Still...I got the results that worked for this particular project. There will be additonal experiments - on cotton - but I'm happy with the results for this time.  Below are photos of the process along the way and the final results, of course.

Screen printed clocks in Latte acrylic and ironed on the masks of freezer paper

Taped the fabric to the board and applied the gun powder

Set the gun powder on fire (and the fabric as it turned out)

Resulting fabric with masks removed (you can see the burned edges)

Another layer of screen printed clocks, this time in Lumiere Old Brass - and a few stamped clocks as well

Now to do the stitching.....and probably adding a few watch parts as well.  Hope to have it done by Monday if not before.



 

The Long Road Home

After my original idea for this challenge for one of the internet groups grew to 20 X 20, I had to come up with a new idea in that theme.

This month my husband and I did a whirl-wind trip to Texas. Driving straight through there (1,100 miles one way) and straight through back (another 1,100 miles). The reason - my dad's memorial service. All this in 5 days. So Road Map was an appropriate theme for me this month. And due to this long road trip to my home state, to my parents land where my dad's ashes are now buried, I've chosen to title this piece:

The Long Road Home

So, I went quite literal this time. White cotton background (just like a real map) The roads, county lines, road numbers, railroads, rivers, etc are stitched. I then painted in the colors of the different roads and the river with Pigma Brush Pens.